{"id":10220,"date":"2026-01-17T14:25:41","date_gmt":"2026-01-17T12:25:41","guid":{"rendered":"https:\/\/twistislamophobia.org\/en\/?p=10220"},"modified":"2026-02-05T13:34:20","modified_gmt":"2026-02-05T11:34:20","slug":"saint-levant-as-a-cultural-voice-against-islamophobia","status":"publish","type":"post","link":"https:\/\/twistislamophobia.org\/en\/2026\/01\/17\/saint-levant-as-a-cultural-voice-against-islamophobia\/","title":{"rendered":"Saint Levant as a cultural voice against Islamophobia"},"content":{"rendered":"<p>Saint Levant\u2014whose real name is <strong>Marwan Abdelhamid<\/strong>\u2014has become one of the most influential voices in contemporary Arab music, not only for his multilingual musical style and genre fusion, but also for his way of reconfiguring narratives about identity, culture, and politics. Born in Jerusalem, raised in Gaza, and educated across several countries, Saint Levant uses his art to raise awareness of the Palestinian experience and to counter cultural and Islamophobic prejudices from an international perspective.<\/p>\n<h3>Roots and Cultural Identity<\/h3>\n<p data-start=\"35\" data-end=\"592\">Marwan\u2019s story is marked by a complex trajectory of displacements: his father is Palestinian-Serbian and his mother Franco-Algerian. He spent much of his childhood in the Gaza Strip before moving to Jordan in 2007 due to the region\u2019s political circumstances. Later, he relocated to the United States, where he continued his studies in International Relations. He grew up speaking Arabic on the streets, French at home, and learning English in academic settings, which early on shaped a multicultural and trilingual perspective in his artistic development.<\/p>\n<p data-start=\"594\" data-end=\"764\">This plural background not only defines his sound but also challenges simplistic narratives about what it means to \u201cbe Arab\u201d or \u201cbe Muslim\u201d in today\u2019s global art scene.<\/p>\n<h3>Musical Career: From TikTok to the Global Stage<\/h3>\n<p>Saint Levant is known for his musical style, which fuses contemporary pop, R&amp;B, hip-hop, rap, and traditional rhythms from the Arab world, allowing him to connect with diverse international audiences. The distinctiveness of his artistic approach\u2014mixing Arabic, French, and English in his lyrics\u2014is not merely aesthetic: it is a conscious strategy of cultural representation that counters stereotypes and highlights alternative narratives that challenge the stigmatization of Muslim and Arab communities.<\/p>\n<div id=\"attachment_10209\" style=\"width: 250px\" class=\"wp-caption aligncenter\"><a class=\"post-gallery cboxElement\" href=\"https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240.webp\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10209\" class=\"size-medium wp-image-10209\" src=\"https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240-240x300.webp\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240-240x300.webp 240w, https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240-819x1024.webp 819w, https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240-768x960.webp 768w, https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240-1229x1536.webp 1229w, https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240-620x775.webp 620w, https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240-940x1175.webp 940w, https:\/\/twistislamophobia.org\/wp-content\/uploads\/2026\/01\/saint-levant-cover-bb-arabia-hussein-mardini-2025-billboard-5-1240.webp 1240w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-10209\" class=\"wp-caption-text\">Saint Levant in Billboard Arabia<\/p><\/div>\n<p data-start=\"102\" data-end=\"490\">He began his career in 2020 by publishing content and his first politically themed songs on the TikTok platform, before fully venturing into music with tracks like <em data-start=\"266\" data-end=\"290\">Jerusalem Freestyles<\/em> and <em data-start=\"295\" data-end=\"315\">Nirvana in Gaza. <\/em>His international breakthrough came with the 2022 release of the single <em data-start=\"388\" data-end=\"409\">Very Few Friends,<\/em>\u00a0which gained millions of plays worldwide on platforms like Spotify and TikTok.<\/p>\n<p data-start=\"492\" data-end=\"729\">Since then, he has released the EP <em data-start=\"527\" data-end=\"549\">From Gaza, With Love<\/em> (2023), the album <a href=\"https:\/\/deira.saintlevant.com\/\"><em data-start=\"568\" data-end=\"575\">DEIRA<\/em><\/a>\u00a0(2024), and <a href=\"https:\/\/saintlevant.com\/music_ll\/\"><em data-start=\"588\" data-end=\"602\">Love Letters<\/em><\/a> (2025), projects that combine classical elements of folklore and Arabic instruments with modern music production techniques.<\/p>\n<p data-start=\"731\" data-end=\"950\"><em data-start=\"731\" data-end=\"738\">Deira<\/em>, for example, is an album centered on the right of return and the longing for freedom, integrating sounds from Algerian chaabi while honoring the memory of the Palestinian land and Marwan\u2019s own family history.<\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">We left our city behind, heartbreaking exile<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">Say hello to Jericho<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">and the old medina for me\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">oh, you travelling bird<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">on this generous land\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">they can\u2019t take what\u2019s inside us\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">between the river and the mountains\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">I find my belonging\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">between the shore and the sand\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">Is where my life began<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">oh, my homeland\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">so much joy, so much sorrow\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">oh my precious homeland\u00a0<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">our beloved Palestine is calling<\/span><\/i><\/p>\n<p style=\"padding-left: 40px;\">\u2014 <strong><em>Deira <\/em><\/strong><strong>(2024)<\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=vRTtwtjNLdU\">Saint Levant &#8211; Deira ft. MC Abdul (Official Video)<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"Saint Levant - Deira ft. MC Abdul (Official Video)\" width=\"620\" height=\"465\" src=\"https:\/\/www.youtube.com\/embed\/vRTtwtjNLdU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Music with a Political Purpose<\/h3>\n<p data-start=\"131\" data-end=\"355\">Saint Levant has explained in several interviews that his work is not only artistic but also deeply political and contextual: he aims to provide understanding of Palestinian history in the face of global misunderstandings.<\/p>\n<p data-start=\"357\" data-end=\"632\">In a statement to <em data-start=\"375\" data-end=\"392\">Harper\u2019s Bazaar<\/em>, he noted that his work consists of \u201cdismantling misconceptions about the conflict in Palestine,\u201d emphasizing that it is not about \u201ctwo equal sides hating each other,\u201d but rather <strong>over 80 years of occupation, oppression, and displacement<\/strong>.<\/p>\n<p data-start=\"634\" data-end=\"881\">In doing so, Saint Levant positions himself directly within the discussion against Islamophobia: his music contextualizes the Palestinian struggle, humanizes the affected communities, and counters homogenizing narratives about Arabs and Muslims.<\/p>\n<h3>Activism and Solidarity with Gaza<\/h3>\n<p>Saint Levant has used his platform to speak openly about the Israeli occupation and the crisis in Gaza, even when he has been urged not to do so. His performances at benefit events, such as concerts in support of the Palestinian cause, have raised funds and drawn international attention to the humanitarian situation in the Strip.<\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DNGSMC5oHMl\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\">\n<div style=\"padding: 16px;\">\n<p>&nbsp;<\/p>\n<div style=\"display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/DNGSMC5oHMl\/?utm_source=ig_embed&amp;utm_campaign=loading\" target=\"_blank\" rel=\"noopener\">A post shared by marwan (@saintlevant)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p>Beyond Music, Saint Levant co-founded the <a href=\"https:\/\/2048foundation.org\/about-en\/\"><strong>2048 Foundation<\/strong><\/a>, a project aimed at funding and supporting Palestinian creatives and entrepreneurs, strengthening cultural and economic networks in communities affected by conflict. Named in reference to the centenary of the Nakba (1948), the foundation not only fosters artistic projects but also combats the invisibility of Muslim and Palestinian narratives in global art, providing resources for other voices to express themselves and gain empowerment. Initiatives like this are particularly important to counter structural Islamophobia, which marginalizes Arab and Muslim creatives and limits their opportunities on global platforms.<\/p>\n<h3>Music as a Cultural Bridge<\/h3>\n<p data-start=\"831\" data-end=\"979\">It is not only about politics or sound: Saint Levant\u2019s \u201ctrilingualism\u201d and his fusion of musical styles are also tools against cultural prejudice.<\/p>\n<p data-start=\"981\" data-end=\"1179\">By combining <strong>Arabic, French, and English,<\/strong> he incorporates phonetics, rhythms, and expressions that challenge Western audiences\u2019 expectations of how an Arab voice \u201cshould sound\u201d in popular culture.<\/p>\n<p data-start=\"1181\" data-end=\"1452\">This approach has been highlighted by critics and music platforms as an act of \u201ccreative hybridization\u201d that breaks stereotypes and creates spaces for empathy and identification\u2014especially for young members of the Arab diaspora seeking positive artistic representation.<\/p>\n<p style=\"padding-left: 40px;\" data-start=\"1459\" data-end=\"1481\">My body in Paris<\/p>\n<p style=\"padding-left: 40px;\" data-start=\"1483\" data-end=\"1502\">My heart in Gaza,<\/p>\n<p style=\"padding-left: 40px;\" data-start=\"1504\" data-end=\"1531\">My soul in Algiers, [&#8230;]\n<p style=\"padding-left: 40px;\" data-start=\"1533\" data-end=\"1565\">I don\u2019t feel at home anywhere,<\/p>\n<p style=\"padding-left: 40px;\" data-start=\"1567\" data-end=\"1590\">My family in the East<\/p>\n<p style=\"padding-left: 40px;\" data-start=\"1592\" data-end=\"1616\">My friends in the West<\/p>\n<p style=\"padding-left: 40px;\" data-start=\"1618\" data-end=\"1663\">My mother is deeply tied to this land [&#8230;]\n<p style=\"padding-left: 40px;\" data-start=\"1665\" data-end=\"1707\">I will never forget my upbringing in war.<\/p>\n<p style=\"padding-left: 40px;\">\u2014 <strong><em>5am in Paris<\/em><\/strong><strong> (2024)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Saint Levant - 5am in Paris (Official Video)\" width=\"620\" height=\"465\" src=\"https:\/\/www.youtube.com\/embed\/4axiGSoy3bc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Saint Levant represents a new generation of artists who are redefining the presence of Arab and Muslim identity in popular culture. His global visibility breaks monolithic narratives and promotes a deeper understanding of the contemporary Arab world. Through festivals, interviews, and international collaborations, his voice has been key in demonstrating that music can be a space for cultural resistance, as well as a platform where Muslim and Arab artists can tell their stories on their own terms. In times of global tension, this kind of representation is a powerful tool to combat Islamophobic discourse: Saint Levant does not only sing, but connects, explains, and asserts.<\/p>\n<p><strong>Patricia Ogando Antol\u00edn<\/strong><\/p>\n<h3>References<\/h3>\n<ul>\n<li data-start=\"524\" data-end=\"634\">\n<p data-start=\"526\" data-end=\"634\">SaintLevant.com. <em data-start=\"119\" data-end=\"153\">Official website of Saint Levant<\/em>. <a class=\"decorated-link\" href=\"https:\/\/saintlevant.com\" target=\"_new\" rel=\"noopener\" data-start=\"611\" data-end=\"634\">https:\/\/saintlevant.com<\/a><\/p>\n<\/li>\n<li data-start=\"849\" data-end=\"1005\">\n<p data-start=\"851\" data-end=\"1005\">Hajjar, D. (2025, February 18). <em data-start=\"153\" data-end=\"227\">How Palestinian star Saint Levant is helping uplift &amp; support his people<\/em>. GRAMMY.com. <a href=\"https:\/\/www.grammy.com\/news\/saint-levant-love-letters-interview-palestinian-singer-arab-music\">https:\/\/www.grammy.com\/news\/<\/a><\/p>\n<\/li>\n<li data-start=\"1085\" data-end=\"1168\">\n<p data-start=\"1087\" data-end=\"1168\">Tobah, S. (2025,\u00a0 November 26). <em data-start=\"130\" data-end=\"160\">Saint Levant is levelling up<\/em>. <em>GQ Middle East<\/em>. <a class=\"decorated-link\" href=\"https:\/\/www.gqmiddleeast.com\/article\/saint-levant-is-levelling-up?utm_source=chatgpt.com\" target=\"_new\" rel=\"noopener\" data-start=\"182\" data-end=\"247\" data-is-only-node=\"\">https:\/\/www.gqmiddleeast.com\/article\/<\/a><\/p>\n<\/li>\n<li data-start=\"1085\" data-end=\"1168\">Boty, M. (2023, December 18). <em data-start=\"111\" data-end=\"189\">Saint Levant: The Palestinian body resisting stereotyping and the occupation<\/em>. <em>Raseef22<\/em>.\u00a0<a class=\"decorated-link\" href=\"https:\/\/raseef22.net\/english\/article\/1096033-saint-levant-the-palestinian-body-resisting-stereotyping-and-the-occupation\" target=\"_new\" rel=\"noopener\" data-start=\"205\" data-end=\"325\" data-is-only-node=\"\">https:\/\/raseef22.net\/english\/article\/<\/a><\/li>\n<li data-start=\"1170\" data-end=\"1282\">\n<p data-start=\"1172\" data-end=\"1282\">Al-Waheidi, M. (2024, December 20). <em data-start=\"120\" data-end=\"201\">A loverboy and a Palestinian: Saint Levant\u2019s new album is about loss and growth<\/em>. <em>NPR<\/em>. <a href=\"https:\/\/www.npr.org\/2024\/12\/20\/nx-s1-5226008\/saint-levant-music-gaza\">https:\/\/www.npr.org\/2024\/12\/20\/\u00a0<\/a><\/p>\n<\/li>\n<li data-start=\"1170\" data-end=\"1282\">\n<p data-start=\"1172\" data-end=\"1282\">Siddique, A. (2023, January 12). Saint Levant: Home\u2011maker. <em>Alserkal Online<\/em>.<a class=\"decorated-link cursor-pointer\" href=\"https:\/\/alserkal.online\/words\/saint-levant-home-maker\" target=\"_new\" rel=\"noopener\" data-start=\"163\" data-end=\"216\" data-is-only-node=\"\"> https:\/\/alserkal.online\/words\/<\/a><\/p>\n<\/li>\n<li>Garc\u00eda, C. (2024, June 29). <em data-start=\"123\" data-end=\"178\">El rapero palestino Saint Levant alza la voz por Gaza<\/em>. La Raz\u00f3n. <a href=\"https:\/\/www.larazon.es\/cultura\/musica\/rapero-palestino-saint-levant-alza-voz-gaza_20240629667fef25ab9b4800013f8ef6.html\">https:\/\/www.larazon.es\/<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saint Levant\u2014whose real name is Marwan Abdelhamid\u2014has become one of the most influential voices in contemporary Arab music, not only for his multilingual musical style and genre fusion, but also for his way of reconfiguring narratives about identity, culture, and politics. Born in Jerusalem, raised in Gaza, and educated across several countries, Saint Levant uses his art to raise awareness of the Palestinian experience and to counter cultural and Islamophobic prejudices from an international perspective. Roots and Cultural Identity Marwan\u2019s story is marked by a complex trajectory of displacements: his father is Palestinian-Serbian and his mother Franco-Algerian. He spent much of his childhood in the Gaza Strip before moving to Jordan in 2007 due to the region\u2019s political circumstances. Later, he relocated to the United States, where he continued his studies in International Relations. He grew up speaking Arabic on the streets, French at home, and learning English in academic settings, which early on shaped a multicultural and trilingual perspective in his artistic development. This plural background not only defines his sound but also challenges simplistic narratives about what it means to \u201cbe Arab\u201d or \u201cbe Muslim\u201d in today\u2019s global art scene. Musical Career: From TikTok to the Global Stage &#8230;<\/p>\n","protected":false},"author":2,"featured_media":10214,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[117],"tags":[163,657],"class_list":["post-10220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-twist-en","tag-music","tag-palestine"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Saint Levant as a cultural voice against Islamophobia - Twist Islamophobia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/twistislamophobia.org\/en\/2026\/01\/17\/saint-levant-as-a-cultural-voice-against-islamophobia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Saint Levant as a cultural voice against Islamophobia - Twist Islamophobia\" \/>\n<meta property=\"og:description\" content=\"Saint Levant\u2014whose real name is Marwan Abdelhamid\u2014has become one of the most influential voices in contemporary Arab music, not only for his multilingual musical style and genre fusion, but also for his way of reconfiguring narratives about identity, culture, and politics. Born in Jerusalem, raised in Gaza, and educated across several countries, Saint Levant uses his art to raise awareness of the Palestinian experience and to counter cultural and Islamophobic prejudices from an international perspective. Roots and Cultural Identity Marwan\u2019s story is marked by a complex trajectory of displacements: his father is Palestinian-Serbian and his mother Franco-Algerian. He spent much of his childhood in the Gaza Strip before moving to Jordan in 2007 due to the region\u2019s political circumstances. Later, he relocated to the United States, where he continued his studies in International Relations. He grew up speaking Arabic on the streets, French at home, and learning English in academic settings, which early on shaped a multicultural and trilingual perspective in his artistic development. This plural background not only defines his sound but also challenges simplistic narratives about what it means to \u201cbe Arab\u201d or \u201cbe Muslim\u201d in today\u2019s global art scene. 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